New Documentary Alert: “Invisible Universe: A History of Blackness in Speculative Fiction”

Utopian Fiction…What is, “Speculative Fiction?”…Who is part of the Science Fiction world?...What does it mean to be a “Second Class Citizen”?…A voyage into a fantastical world…

To answer some of those questions and expound on the above ideas, filmmaker and producer M. Asli Dukan’s has launched her documentary “Invisible Universe: A History of Blackness in Speculative Fiction” which investigates the relationships between the Black body, popular fantasy, horror, science fiction literature & film and the alternative perspectives produced by creators of color. According to Dukan:

From the origins of the genres, images of Black people in fantasy, horror and science fiction or speculative fiction (SF) have been inauthentic at best in the imaginations of white creators. From the “Fantastic Voyages” of the 1700s where Black pirates kidnapped white explorers to far off “alien” lands, to technologically advanced futures where Black people didn’t exist in any significant population, to post-nuclear holocaust America where modern Blacks took on aggressive pre-civilized behaviors, many of these ideas have created lasting impressions in the minds of their audiences and future creators. And though there were a few attempts by some white writers to use the genres for social commentary, for instance on race relations, these efforts were few and far in between.

There is however a significant output of work by Black creators, who used the techniques and themes of the genres to write alternative stories and to produce films that spoke closer to the realities of Black life. At the turn of the 20th century, Black writers wrote utopian and fantastical novels set during the days of slavery and Reconstruction. Independent Black filmmakers created low budget feature films exploring the effects of science and fantastical religious beliefs on the Black imagination. Harlem Renaissance writers jumped into the genre with “mad scientist” and “end of the world” scenarios commenting on the American race relations. In the 1960’s and 1970’s, two powerful and original voices emerged in the SF world writing tales with more inclusive pasts, presents and futures. Also in the 1970s, Black anti-heroes utilized science and the supernatural to secure Black justice. And later, there was the emergence of Black superheroes, who, though ready, willing and able to save the entire universe, first had to fight a homogenous industry.

This 10-year project brings these ideas to life through extensive footage, which features interviews with major writers, scholars, artists and filmmakers (i.e. Samuel R. Delaney, LA Banks, Tananarive Due, Nichelle Nichols, Wesley Snipes). The documentary also explores various mediums such as comics, literature, film, and television by deconstructing stereotypical and archetypal images of people of color (primarily Black) within these genres. Dukan has traveled across the country documenting key conferences, conventions, panels, performances and other events of Black SF at The Studio Museum in Harlem in New York, The East Coast Black Age of Comics Convention and The Afrofuturist Affair in Philadelphia, the AstroBlackness colloquium in Los Angeles, the Auburn Avenue Research Library on African American Culture in Atlanta, The Central District Forum for Arts and Ideas in Seattle, and New York Comic Con and Comic-Con International in San Diego. Essentially, “Invisible Universe” ultimately uncovers how Black and other individuals of color have been minimized and even erased within “popular” Sci-Fi culture, thus as a result of this consciously creating their own universe.

Dukan explains much of her dedication and efforts for this highly anticipated documentary project with a few words from the late, great Black science fiction writer Octavia Butler, “ I was trying to write myself in.” And Dukan does just that with “The Invisible Universe” documentary.

So if you would like to learn more and support the campaign check out the link HERE .

Check out the trailer here:

Invisible Universe trailer (Documentary feature work-in-progress) from Mizan Media on Vimeo.

As posted in The Berkeley Graduate

Afrofuturism: Reimagining the Past, Present, and Future

“In Afrofuturism is an exploration and methodology of liberation, simultaneously both a location and a journey.” ~D. Denenge Akpem ”


So what is Afro-Futurism? Music critic and writer Mark Dery (1994) coined the term to describe the self-conscious appropriation of technological themes in Black popular culture, particularly in rap and other hip-hop modalities. The term is more than just being “weird” or following different trends, but it is, as sociologist Alondra Nelson says, “to explore futurist themes in Black cultural production and the ways in which technological innovation is changing the face of Black art and culture” (Nelson & Miller, 2006). The appropriation of science and technology by marginalized groups (Eglash & Bleecker, 2001). As a whole, Afrofuturism is a free space that allows the option to explore, imagine, and discover Blackness tangent to science and technology. Afrofuturism, much like cyberfeminism, uses science fiction and cyber culture in a speculative manner to escape the traditional definitions of what it means to be Black or African (in exotic terms) within western culture (Bristow, 2012).
This week at Loyola Marymount University in Los Angeles, I had the opportunity to take part in a 2-day colloquium called “AstroBlackness: Remaking and [Re]Mixing Black Identity Before, Now, and Beyond.” During this colloquium writers, artists, filmmakers, and scholars worldwide are coming together to discuss Afrofuturism from various angles. The colloquium serves as a “space” where the intellectual, creative, literary and even visual expressions of “the black experience” are examined through the prism of Afrofuturism, in a manner that is both abstract and plausible and no longer dominated by monolithic tropes perpetually tied to an urban landscape or exclusively earthbound. The first day's topics and panels included The Black Imagination: Issues and Ideas of Afrofuturism as an Aesthetic; Science Fiction and Race; and Comic Books, Graphic Novels, Animation, and Afrofuturism.

In particular during the panel discussion on “Science Fiction and Race” many of the panelists such as Fantasy and Science Fiction writer Nnedi Okorafor would explain the many difficulties in maintaining the culture and race of their characters [i], while not allowing the narratives or characters be conscripted to “whitewashed” storylines. One question that would spark a huge debate from the panel and the audience dealt with whether or not Afrofuturism should be inclusive of everything that is outside of the box that is black and is sci-fi related. Some scholars such as University of California-Riverside’s Sherryl Vint felt that as a whole critics spend way too much time policing the boundaries of science-fiction, and not allowing it to be a free flowing entity. From its inception Afrofuturism and Science Fiction are genres that have always been unapologetically ‘outside the box’, but yet so many want to prescribe it to a particular formula. As Professor Reynaldo Anderson of Harris Stowe State University mentioned, “Afrofuturism, Science Fiction, Fantasy, and the Speculative [are] all about bending racial categories and rethinking these genres as forms of resistance.” Each of them serve as another transportation mode to a particular space, which allows for this creative resurgence of [astro]blackness on futuristic terms.

As for Day Two, topics from will range from Critical Literature and Radical Race in Science Fiction, to Gender and Race conversations and issues dealing with the Black Imagination and Science Fiction, and finally “The Future of the Afrofuture”. All in all, Afrofuturism continues to serve as this intersection between imagination, technology, the future, and liberation (Womack, 2013). As a genre it not only allows, but also encourages, individuals to unashamedly experiment, re-imagine identities, and activate this sense of liberation (LaFleur, 2011). Using these various avenues mentioned above, Afrofuturism continues to redefine Black culture and notions of Blackness for today and the future.

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[i] Several creators and authors at the colloquium spoke about having to change the race of their characters, lightening their complexion, or adding non-black characters (i.e. white males), because the “higher ups” feel that audiences will not understand, it’s too political, or because it is so-called not marketable.  

References

1. Bristow, T. (2012). We want the funk: What is Afrofuturism to the situation of digital arts in Africa? Technoetic Arts: A Journal of Speculative Research, 10(1), 25-32.
2. Dery, M. (1994). “Black to the Future”. In Flame wars: The discourse of cyberculture. Durham, NC: Duke University Press.
3. Eglash, R., & Bleecker, J. (2001). The race for cyberspace: Information technology in the black diaspora. Science as Culture, 10(3), 353-374.
4. Nelson, A., & Miller, P. D. (2006, June 28). “About Afrofuturism”: Afrofuturism. Retrieved from http://www.afrofuturism.net/text/about.html
5. Womack, Y. L. (2013). Afrofurturism: The World of Black Sci-Fi and Fantasy Culture. Chicago: Lawrence Hill Books.

Another KickStarter Project to be on the lookout for: "Spider Stories"

It's nothing like browsing through the internet, while waiting for your show to come on tv and find out about and up and coming innovative film.

Check out the new pilot for Spider Stories, an action cartoon set in an African inspired fantasy world. A mythic, epic experience with a unique cultural perspective.

"Spider Stories follows the tale of Princess Zahara who is thrown into hiding after the royal family is overthrown by a corrupt neighboring kingdom. While traveling with a misfit caravan of merchants she meets a wandering drummer griot who introduces her to the spirit world. Armed with a mystical staff, the fearless princess embarks on a quest to reconnect with the spirits, reunite her homeland, and reclaim the throne."

See the trailer here:



I love a good story, artistically drawn characters, and animation all in one!! And this project has all three!!

For more information about Spider Stories check them out on KICKSTARTER !