A Sneak Preview into the Highly Anticipated “Dear White People” film*

“Dear White People, the minimum requirement of black friends needed to not seem racist has been raised to two…Sorry, your ‘weed man’ Tyrone does not count!”

Every generation has a film that shocks as it touches upon issues of race and inequalities of color. In 1950, we had the black-and-white American film noir No Way Out; in 1970, the satirical comedy Watermelon Man; in 1989, Spike Lee’s ‘fight the power’ film Do The Right Thing (1989); John Singleton’s 1991 classic Boyz in the Hood; and at the beginning of the new millennium Bamboozled (2000). In 2014, we have Dear White People a contemporary satire that is not simply another post-black film, but a commentary on expanding and updating notions of black identity.

Winner of the 2014 Sundance Film Festival’s Special Jury Award for Breakthrough Talent, Dear White People is a sly, provocative satire of race relations in the Obama age. In this breakthrough performance, writer/director Justin Simien gives audiences a close look at four African American students as they navigate racial and sexual politics and campus life at the predominately white Winchester University. The four protagonists, “The Rebel,” “The Token,” “The Poster Child,” and “The Diva,” are what Simien likes to call “archetypes of people of color.” He sees them as archetypes versus stereotypes, or just simply blacks who espouse survival tactics in environments where they are in the minority or have to cope with the way people label them: “One of the things that was interesting about Dear White People is that I show these archetypes in the beginning, and we just dismantle them to a complete pulp by the end,”[1] remarks Simien.

Simien, a 31-year-old Texas native, drew direct inspiration for this film as result from his experience at Chapman University in Southern California. Being a “black face in a white place” is not just the premise of the film, but also an actual lived reality for Simien (the Black student body on Chapman University comprises 1.6 percent of the campus). As someone who has experienced much of what he portrays in the film, Simien takes a tongue-in-cheek approach to exploring the state of college campuses today and racial identity in a supposedly post-racial America, specifically, having a cinematic dialogue about what it means to be black today. Considering the past few years have been marked with numerous deaths of unarmed young black women and men, he has hopes that this film will resonate particularly with the millennial generation. According to Simien in an interview with “Best of New Orleans:

“The funny thing is that there are still people out there who believe [the U.S. is post-racial]…People say ‘do we even need this [type of film]? Aren’t we beyond this?’ After Obama was elected, there was this post-racial bubble; some liberal and very well-intentioned people thought we had overcome the struggles of racism. It took all these tragic shootings of black teenagers, and members of Congress telling Obama to go back to Africa, and racist blackface parties to bubble into mainstream for people to realize we’re still dealing with the same issues.”[2]

The film has garnered much anticipation leading up to its October 24th nationwide release, since one can view a collection of sketches, trailers, and videos under a PSA series called “The More You Know (About Black People)” some of these include:

             “Not To Be Racist, But…”     

            “Do Black People Love Fried Chicken?”     

            “Why The Best Athletes Are Black?”

            “White People Love Food Stamps, Too”

In addition to the PSAs, sketches, and trailers, one can purchase Dear White People paraphernalia, posters, and even the book on which the film is based.

Dear White People hopes to bring laughs, while deliberately addressing casual racist attitudes of what may seem outlandish to some white Americans; for far too many African Americans, these statements represent everyday reality. For all intents and purposes, Simien wants viewers to walk out of theater with a different mindset from the one they brought into the film, and hopefully for the better. “I’m really looking at people whose past racial bubble is yet to be popped…I want this to be part of a cross-cultural conversation they’ve never had before. Our movie couldn’t have come out at a better time.”[3]

Dear White People hits select theaters this Friday October 17th and nationwide on October 24th. However, as a special bonus for the Bay Area there will be a private screening of this film on today at Shattuck Cinema Theaters.

*As posted in The Berkeley Graduate

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[1] Interview from New York Times “Happy to Be Your Guide to Black Identity”: Justin Simien Goes Mainstream with ‘Dear White People’…10/9/2014…By: Nelson George

[2] Interview from Best of New Orleans, “Director Justin Simien talks about Dear White People”

[3] Interview from UPTOWN Magazine, “The One Thing ‘Dear White People’ Director Justin Simien is Sorry About”…10/13/2014…By: Angela Bronner Helm

Day 15 of Black Movie Month "Hollywood Shuffle"

It is Day 15 of Black Movie Month!! Today's highlight will be the 1987 classic, Hollywood Shuffle. It would star Robert Townsend, Keenan Ivory Wayans, Anne-Marie Johnson, John Witherspoon, Helen Martin, Roy Fegan, and Dom Irrera.

The film tracks the attempts of Bobby Taylor to become a successful actor and the mental and external roadblocks he encounters, represented through a series of interspersed vignettes and fantasies. The film is semi-autobiographical in that it reflects Townsend's experience as a black actor when he was told he was "not black enough" for certain roles.

Hollywood Shuffle brings into light the lack of substantial roles for black actors and the misrepresentation of people of color in film and television. Through satire, the film is able to use negative stereotypes put out by mass media and turn them against Hollywood. The film's plot reveals the perceived racism behind the camera that has relegated black actors to take demeaning roles for money and a chance at stardom. This point is personified in the casting director's constant demand for actors to “be more black.”

The script also levels some criticism towards black actors who are willing to take demeaning roles. This is highlighted in the protest skit, when an NAACP spokesman (played by Paul Mooney) states at a press conference, "they'll never play the Rambos until they stop playing the Sambos." The film also offers an authentic glimpse into real middle-class African Americans in stark contrast to the roles they are offered in the film industry, and Bobby Taylor's final words in the movie's final scene can be seen as encouraging pride and respect in the community. With a budget of $100,000, of which $60,000 was funded from Robert Townsend's own credit cards, and grossing over $5 million over the first ten months of release, the film was a resounding independent success, propelling Townsend into stardom.*

Hollywood Shuffle is the quintessential film that inspired a generation of filmmakers both through its use of satire and messages of racial stereotypes about African Americans in film and television. It would also showcase the "DIY" independent style of filmmaking.

The humor in this film is so gripping and relevant that it truly shows off the skills of Townsend's in such a way that it is almost genius. And interestingly enough today this issue is still rampant and relevant in today's Black Hollywood. If only there were more directors like Townsend!

Any chance you get to support a film such as this one and others you should jump on it like "white on rice" folks. Movies like Hollywood Shuffle help to get the message across that so many would like to push to the side and forget about them. 

At the close of Black Movie Month will be the Hollywood Black Film Festival, which will feature "Chicken and Beef Presents: Monkey Gang, The Mockumentary" a movie that was heavily influenced by Hollywood Shuffle in its satire and parody of negative stereotypes, as well as its style of independent filming. 

As a special treat check out this clip with the creators of Hollywood Shuffle, talking to the creators of "Monkey Gang" about independent Black film.

**The Hollywood Black Film Festival, founded by industry insider, Tanya Kersey, will happen in Los Angeles, California from October 27th-30th. For more information go to www. hbff.org .